Tuesday, November 17, 2009

on love and photographs.

i would like to preface this by saying that this post was really intended for my personal blog. because it's, you know, personal. but then i thought, you know what, this is WHY i photograph, what makes me who i am. this is my inspiration and motivation. i guess this is also, in my own way, how i express love and gratitude in my life. so it felt appropriate to perhaps share it here as well. i hope i am right.

_DSC8088
danny arrived today and we had the most beautiful evening with joe and brittany at the beach. the guys went running, the boys ran around in the sand, splashing and throwing rocks, the moms, we watched. and of course i photographed. it really was the most perfect, beautiful night. i have a ton of pictures to share, but right now i am getting ready for bed and just savoring the evening.

i have been thinking about the balance of living in the moment and capturing the moment. sometimes i hear people say that sometimes they have to put down the camera and just BE in the moment. i get that. i TOTALLY get it. but i also feel almost exactly opposite 99% of the time! to me, i feel most ALIVE on nights like this, beautiful setting, my family, best friends, and camera in hand. everything just feels right. i believe i actually enjoy the moment more completely when i capture it in a photograph. i am also the kind of person who prefers to do two things at once- movie and a craft, internet and music, bath and a magazine, clean my house and talk on the phone, i enjoy each aspect more by doing them at the same time.

i have felt for some time now, that because of my relationship with photographs, i see the world differently, i see my life differently. i am more aware of the beauty all around me, i see the art in everyday life as a mother, the little details stand out in a different way. my son's eyelashes or a sandy toes, the colors in our halloween pumpkins, the way the light peeks inside my kitchen in the morning. it's all clearer, it's all better, i appreciate it more.

there are of course moments that can't be photographed, only felt. tonight, just after the sun went down behind catalina, the sky was bright peachy-orange and the water so blue. the colors danced across max's skin and glistened in his eyes in a way i have never seen, it was absolutely breathtaking. i already had a couple hundred images on my memory card that i just knew i would love, but all i wanted was to catch this moment in the most perfect way so i could keep it forever. but wouldn't you know, max was wet. a little cold. and just wanted a snuggle. i squatted down in the sand for some hugs and just let my camera hang from the strap while i just snuggled max and watched the fleeting light on his face, just inches away myself. it was beautiful, emotionally and artistically. no buttons to push or focus to adjust, but it was art just the same. i thought to myself that even though i couldn't actually take a picture of this moment, that i would take a little mental snapshot and always remember his sandy fingers at the nape of his neck and his soft cheeks pressed to mine, while that orange light touched us both. part of me was sad for a second that i missed the shot but i am finding my mental snapshot to be just as rewarding to come home with as the many physical images from the night at the beach. nights like this i am truly so thankful for my happy, simple life and the little family we have created together and that god has given us. the opportunity to step back and look at it through my lens has shown me just how remarkable it is.

Sunday, November 15, 2009

beach baby.

_DSC7902


_DSC7661
can you handle mr. owen in his little get up? he has to be the cutest 18 month old on the PLANET, and the beach today was breathtaking. i brought the vintage cardi and bow tie along with me and was thrilled when they fit. i have only been here a few days and already i have SOOOO many pictures to share. we have been spending a lot of time at the beach and i am reminded why i had such a hard time leaving orange county (it's where we lived for about a year and a half pre-utah). it never gets easier...

Monday, November 9, 2009

allen family...

ok, seriously is this not the most GORGEOUS family? families with 5 or 6 kids usually make me a bit nervous, especially when they are so young. but this family was SO well behaved! i had so much fun with this bunch, and boy are they just an easy group to look at or what!?

allen24swap-3cropeditfinal11x14

_DSC3690headswapfinal-30x40

allen06-11x14

his mom and i were absolutely dying over the pictures of little bronson. i can't quite get over him!

allen19

allen21


allen11
so striking, love her red hair!

allen33final
miss shelby was NONE too excited when it was her turn for her individual shots. but we got her warmed up after a minute and i was so thrilled with how these turned out!

allen36

allen14
this girl should model, i'm telling you!

lindseyandcameron28
cameron was such a little stud and so helpful with his younger sibs. such a good big brother!

allen39bw
he just got this motor scooter thingy and so of course we needed an action shot!

allen41
the boys

allen38
the girls

allen44
mom and dad. no wonder they have such darling kids, huh?

we also did a special shoot just for lindsey in her baptism dress. she is turning 8 this month and is just such a beauty. i love how pretty and timeless these turned out.


lindseyandcameron13

lindseyandcameron17

lindseyandcameron06

lindseyandcameron11

Friday, November 6, 2009

happy weekend!



_DSC5407
love, max.






hehe. little stinker.
we're just going to have a lazy weekend at home playing outside with eachother! no sessions this weekend (what??! i know.) means a little catching up and relaxation. yay! here's a few from yesterday that put a smile on my face. enjoy.

_DSC5531

_DSC5526

_DSC5511-2

_DSC5550

_DSC5554

_DSC5567

_DSC5565

_DSC5563

_DSC5574

and look at my friend chelsea's twins lauren and hallie. aren't they just the most darling, sassy little girls in their leopard outfits!? i just love them. thanks for playing with my cranky little boy!

_DSC5423

_DSC5441bw

Wednesday, November 4, 2009

a small favor. ok. somewhat large.


hey guys! important question. this weekend, might i borrow your canoe? you think i am kidding. only i am really not. its for a shoot of my family... PRETTY PLEEAAASE! Be your best friend....?? the thing is we won't even actually put it all the way in the water. let me know, ok?

meggie + paul - wedding

what can i say? what a BEAUTIFUL wedding. every detail was perfect! i had such a fun day with these two. they have such a great style and i loved the venue, the CHANTILLY MANSION! it's a historic home turned wedding venue in Layton, UT and would totally recommend it. i loved the bride and groom's rooms, the lighting was totally opposite and so fitting. it has a great open area and a lot of different sitting areas and rooms that are just beautiful. also, my second shooter HEATHER did an incredible job. i am so happy to be debuting some of her work for JKP! you can look for her again at some upcoming events as well. =)


GETTING READY

meggie+paul036

meggie+paul016

meggie+paul041

meggie+paul046bw


meggie+paul044bw

meggie+paul052

meggie+paul025bw

meggie+paul064

paul013

paul022

paul019
paul007

paul005
THE CEREMONY

meggie+paul079
*great shot by heather!
paul waiting to walk down the isle.


meggie+paul092

meggie+paul100
meggie trying to stop crying on her way out to the isle. she was very emotional during the ceremony- it was so sweet!

meggie+paul112
meggie's mom watching her walk into the gazebo- such a priceless moment!

meggie+paul135

meggie+paul123

meggie+paul133

meggie+paul138

meggie+paul136

meggie+paul153

meggie+paul152

meggie+paul189
Mr. and Mrs. Nelson!


meggie+paul201
*love this shot by heather, congratulatory hug from grandma!

meggie+paul252

meggie+paul197

meggie+paul192

_DSC3084

_DSC3235

meggie+paul275c
TOTALLY obsessed with this funky couch and pretty light.

meggie+paul306
*gorgeous meggie, by heather


THE RECEPTION
meggie+paul322

meggie+paul316

meggie+paul329

meggie+paul308

meggie+paul327

meggie+paul389

meggie+paul423

meggie+paul431
I got some new lighting equipment right before this wedding and was LOVING the set up of these stair shots! my favorites:

meggie+paul434

meggie+paul440

meggie+paul472

meggie+paul475

meggie+paul481

Tuesday, November 3, 2009

thank you thank you blue light bride for featuring curtis and ashley's lovely backyard wedding!


click HERE and leave some love. =)

Monday, November 2, 2009

guess who is coming to california... ?

MEEEEEEE!!!

i will be in orange county from November 13th-16th and will be taking two portrait sessions while i am there. i also will be in Palm Springs starting the 17th... if that helps anyone..? that means couples, small familes, children, seniors, you name it. if you're interested, let me know! i can't wait for SUNSHINE. and to out with this girl (see pretty lady BRITT in the picture below! who knew i had such model-y friends?) . and DISNEYLAND! i love disneyland.

britt1
dude. hope you're excited for the rest of her session, because I AM! who's afraid of the big bad sun? not me! love me some serious sunshine.


anyhoo, let me know if you want to get in on some photo action while i am in the area. hope to hear from you soon! =)


Friday, October 30, 2009

allen family...

allen24swap-3cropeditfinal11x14

the truth is, i hate going to my blog and seeing a big fat page full of text. so here's a sneak peek of my next post! =)

photoshop Q and A

to start, i want to talk a bit about actions. they are great, and if you find some you like, USE THEM! i don't think there is anything wrong with them or that it's "cheating." especially if you know how to use them and adjust them to suit your style and the image, which also helps avoid the image looking predictable.

however, there is no action in the world that will make up for a lack of camera or basic photoshop knowledge. honestly, i can tell almost instantly by looking at someone's work if they have a good working knowledge of their camera. an image with bad camera basics and lots of photoshop to try and correct the issues sticks out pretty obviously. good exposure and wb is still the foundation for a good picture, and in photoshop, even though i use actions ( ones i have purchased and ones i create myself ), some of the best tools i use in many (or most!) images are curves, color balance, burn/dodge, adjustment layers, that sort of thing. also, so much of knowing what to do with an image comes from having a vision of what you want it to look like, which comes from experience, creativity, and having an eye for color. and if you know what you want the image to look like and don't have an action to magically take you there, that's when that basic knowledge comes in, as well as taking the time to do some independent research! i have learned so much about photoshop just by trial and error, and google is your best friend. =)

Elldub said...How do you get the colors so vidid without making them look over saturated? 

2) How are you able to get the colored tones to look so natural? Like the couple kissing in your blog banner, or the shot of the shoe?

Getting great color in your pictures is a product of your entire process, not just photoshop. It starts with a well exposed image in camera. Afterward I proof my images in bridge and do basic edits in camera raw. Usually that means I adjust the white balance if necessary, bring the exposure up a little, the blacks a lot, then add some contrast and light vignette. In photoshop, I almost always do a curves adjustment layer, and often the pioneer woman action lovely and ethereal, minus the gaussian blur. Of couse every image is different and requires a unique photoshop routine, but that is one I really like for a clean, rich color.

After that, I usually do a little burning (midtones and shadows) over areas of color I want to look richer. This allows the natural colors to come out without affecting the whole picture. Burning in shadow mode will darken and bring out the color. Midtones is more of a subtle darken. In the image of curtis and Ashley in my blog header, I did all of those things but probably started with the lux soft action from TRA2. In the shoe pic, I burned the shadows a lot around the bottom ede to bring out the blue/green cast, and I think I even brought the saturation up as well!

A LOT OF PEOPLE said...How do you get your creamy skin tones?!

It’s funny, people always always always ask me this, and I always have kindof a hard time answering because I feel like my entire workflow is part of the look. I am definitely VERY particular about skin tones and so I am conscious about it every step of the way. I probably overexpose my images a bit in camera, and I try to make sure the face is well light during the shoot. From there I keep the image slightly overexposed in camera raw, and then bring up the blacks more to compensate for it and keep the other colors rich. Throw in a little pro-retouch, and I’m good to go.

Color balance in highlight mode can also correct tints, I actually use color balance quite a bit for a lot of various things, both for correcting and enhancing. You can correct skin really well with color balance in highlight mode if the tint is a little off. Selective color is great for reducing reds also.

Raquel said... Hey Jessica, Thanks for doing this, I learned so much from you during the mentoring session. Do you ever mess with the color balance and or the hue/saturation to make skin tones less red/yellow or is the first question my problem?

Yes! See above. Color balance is one of my most used tools!

Ashley Henry Photography3. I notice that my straight out of camera images look so muted sometimes when I open them in camera raw. They are soooo dull and sometimes feel really grey--even when I've captured good light and exposure. (They look even more dull and grey than they look on my camera screen or in Bridge--is this possibly something with photoshop? or a camera setting?) I use auto white-balance most of the time and I have all my basic in-camera settings on average such as contrast, etc. Any ideas why this might be happening?


Unless your white balance or exposure is off, I’m afraid the nature of shooting digital is that it’s a bit flatter than film, particularly if you’re shooting in shade or even backlight. Soft sunlight does wonders for SOOC images, but that isn’t always possible. Just know that it’s the same for everyone. However, professional grade cameras and lenses help your SOOC quality a lot! Also, you can always try setting your in camera color settings in VIVID.

TRICKY said... Hey Girl! Thanks for your help!

What are the 3 most common TRA you use?

Hmmm, I like lots of TRA’s, but my most common are probably pro-retouch, lux soft and ying and yang.

jer said... Hi, thanks for sharing your techniques!
Just wondering what your favorite method is to soften a face in photoshop? do you use surface or gaussian blur? or just the blur brush tool?

thanks!

jer

Personally, I like TRA Pro-Retouch. Be sure to change the layer opacities so it doesn’t flatten demension of the face too much or look super fake. Definitely keep the opacity lower on men, it can make them look feminine.

Julie said... Hi Jess,

Is their an easier and quicker way to give the skin a nice glow without having to use the Pro retouch on each individuals face?


Clean light and exposure is helpful, but for smooth skin pro-retouch is the way to go. Also, I hear MCP magic skin is good for groups and saves time?

Jayme said... Hey Jess,
I love your Q&A's, can't wait for the answers!!

I've been racking my brain as to how you post processed the last bride you posted (the one with the tattoos.) I would love to know the secrets because everything I do is not even coming close. Thanks for always being so willing to share your knowledge... it's seriously amazing how generous you are!

Hmm, I can’t remember for sure, but I think I probably used lux soft, my own pop action, and maybe lovely and ethereal or punch out? Probably a bit of burning and dodging. Honestly though, the image had really cool lighting out of camera, which was a big part of what gave it the look it has.


Ashley Henry Photography said...5. Lastly.....:) Do you have any post-processing tricks to help save time on the images you choose to individually retouch?? I am dying in this area. I know how to batch and do synchronized fixes in camera raw, but don't you specifically retouch 30 or 40 images from each shoot after opening them in PS? How do you keep your time down on these pictures where you are putting special effects and skin retouches on each image? It just takes me so long.

Actually, I used to photoshop around 35 fully edited images for each client. Now, I offer however more of the best images from the shoot (usually around 100 to 150 for bridals/engagements, 50-75 for families) and edit them all in bridge for client proofing. I fully edit and retouch whatever images the client orders prints of.

Candi & Ezra said... One more question...what is the best way to make sure the you are not blowing parts of your image? Whenever I try to use various actions my image will often have blown highlights...or the red channel will blow? Any tricks besides just closely watching the histogram after every step? Thanks so much for being willing to share some of your expertise. I check your blog at least 3 times a week...very inspiring.

I have noticed that problem quite a bit with lots of color actions, which is why I don’t love many of the color pop style actions. Not very predictable. However, if you have one you like but tends to blow out your highlights in certain areas of your image, simply use or add a layer mask to remove the action in the affected areas.

Candi & Ezra said...

Your images are so sharp. Besides using a nice fast lens like the 50mm 1.4, what do you do in photoshop to further sharpen your image? Do you use the clarity slider in camera RAW? unsharpen mask? smart sharpen? Also, do you set custom white balance before you shot a session or just fix skin tones, etc. in RAW?

I use unsharp mask at amount 58, radius 2.8, threshold zero. For a deeper looking sharpen, add an overlay layer and run the filter high pass. According to Kellee Smith (what a smartie!) it sharpens the shapes in the image without sharpening the pixels.

Travis and Amanda said... Hey-- it's your biggest fan, here. :)

Question: when you shoot against industrial/brick backgrounds, how do your backgrounds come out with so much great texture? I'm semi-fluent in PS4, but I can't seem to figure it out.

To bring out the texture of a background, try some additional sharpening! I like the TRA Boutwell Magic Glasses, or use the high pass filter on a new layer

Erin said... 1) Do you strictly use Photoshop for your editing? If not, what else do you use?

Photoshop is basically the only photo editing software worth investing in. PERIOD. Other than lightroom, which is meant to be used in conjunction with photoshop. I actually have lightroom but haven’t started using it yet. It is very similar to editing in camera raw, with a few additional perks.

Rebekah Towers said... What action sis you use on the photos in your blog header? Love that composition. :)

I did something a little different in every image in my header, but if you mean how I created the composite, I just copied and pasted all the images onto a new file and resized them to fit where I wanted them to. Is that what you mean? Feel free to clarify. =)

Katie Cook Oborn said... You're fabulous to do this! I learned a lot from your last session. I'm trying to shorten my work flow. I love shooting, but the post-processing can slow me down at times. What are some time-saving tricks you use in photoshop? Do you use actions? If so, which ones do you recommend?

I do use actions as a part of my workflow, but there is no substitute for knowing the basics! My favorite sets are TRA 1 and 2, and the lily blue actions. I have tried others, but these are the only ones I use! Oh, and pioneer woman actions, which are freeeeee!

And yes what about the actions used to get that color of the bride in your banner! I did end up buying the TRA2 also!
Thanks!!!

I am guessing you mean the individual shot of aimee? I used a combination of the “get faded’s” from TRA2 plus my usual color processing.

Amber Duron said... I am SO excited! Okay. So how do you get that realllly sweet honey effect to your photos? 


It’s hard to know for sure what you mean without an example, but I am guessing you mean how my whites kinda have a cream tone? That is compliments of any of my antiquey actions from tra2 (lux soft, get faded at low opacity) or lily blue. I also have created some of my own actions to get the look! Also, there is actually an action from Lily Blue called HONEY that I LOVE!